000 | 03488cam a2200505Ii 4500 | ||
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001 | 907206520 | ||
003 | OCoLC | ||
005 | 20190729110313.0 | ||
008 | 150406t20152015ctuac bc 001 0 eng d | ||
010 | _a2015942186 | ||
019 |
_a927390973 _a945629901 |
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020 | _a9780300214406 | ||
020 | _a0300214405 | ||
035 | _a(OCoLC)907206520 | ||
040 |
_aBTCTA _beng _erda _cBTCTA _dBDX _dERASA _dYDXCP _dZLM _dOCLCO _dIUP _dBRZ _dOCLCO _dNUI _dOCLCO _dJPG _dOCLCO _dTKN _dOCLCO _dCDX _dNGU _dOCLCO |
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043 | _an-us-ct | ||
050 | 1 | 4 |
_aNK3930 _b.M555x 2015 |
082 | 0 | 4 |
_a738/.09/04 _223 |
100 | 1 | _aMiller, Sequoia, | |
245 | 1 | 4 |
_aThe ceramic presence in modern art : _bselections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery / _cSequoia Miller ; with an essay by John Stuart Gordon |
264 | 1 |
_aNew Haven, CT : _bYale University Art Gallery, _c2015 |
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264 | 2 |
_aNew Haven, CT : _bDistributed by Yale University Press, _c2015 |
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264 | 4 | _c©2015 | |
300 |
_axv, 176 pages : _billustrations (chiefly color), portraits ; _c32 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aPublished in conjunction with an exhibition of the same name held at the Yale University Art Gallery, September 4, 2015-January 3, 2016 | ||
504 | _aIncludes bibliographical references and index | ||
520 | _a"This lushly illustrated volume is the first to thoroughly examine postwar ceramic sculpture alongside other fine art of the period. The catalogue features over 80 objects by leading 20th-century ceramicists, including John Mason, Jim Melchert, Ken Price, Lucie Rie, and Peter Voulkos. Essays consider the art in connection with renowned paintings, sculptures in other media, and works on paper by artists such as Willem de Kooning, Isamu Noguchi, Mark Rothko, and Ed Ruscha. Juxtaposing ceramics with non-ceramic works, both visually and conceptually, and examining the visual, historical, and theoretical affinities among the objects, the authors demonstrate that the finest ceramics share the formal sophistication of the most celebrated artworks of the postwar period. As ceramics are increasingly recognized as integral to the wider field of contemporary art, this book offers new opportunities for understanding this important medium." -- Publisher's website | ||
505 | 0 | _aDirector's forward / Jock Reynolds -- Collector's forward / Linda Leonard Schlenger -- Introduction -- An informed passion: Linda Leonard Schlenger, collector and advocate -- Theoretical connections: postwar ceramics and the historical avant-garde -- Historical connections: Los Angeles, the San Francisco Bay Area, and London -- Formal connections: ceramics, painting, sculpture, and works on paper -- The patron saint: George E. Ohr and the contemporary art world / John Stuart Gordon | |
600 | 1 | 0 |
_aSchlenger, Linda Leonard _xArt collections _vExhibitions |
610 | 2 | 0 |
_aYale University. _bArt Gallery _vExhibitions |
650 | 0 |
_aCeramics _vExhibitions |
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650 | 0 |
_aCeramic sculpture _vExhibitions |
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650 | 0 |
_aSculpture, Modern _vExhibitions |
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650 | 0 |
_aArt _xPrivate collections _zConnecticut _zNew Haven _vExhibitions |
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700 | 1 |
_aGordon, John Stuart, _d1977- |
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710 | 2 |
_aYale University. _bArt Gallery, |
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596 | _a1 | ||
948 | _au605129 | ||
903 | _a32454 | ||
999 |
_c32454 _d32454 |