| 000 | 01418nam a2200361 i 4500 | ||
|---|---|---|---|
| 001 | 2014043041 | ||
| 003 | DLC | ||
| 005 | 20190729110225.0 | ||
| 008 | 141124s2015 mnu b 001 0 eng | ||
| 010 | _a 2014043041 | ||
| 020 | _a9780816695751 (hc : alk. paper) | ||
| 020 | _a9780816695782 (pb : alk. paper) | ||
| 040 |
_aDLC _beng _erda _cDLC _dMvI |
||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN45 _b.R577 2015 |
| 082 | 0 | 0 |
_a801/.3 _223 |
| 100 | 1 |
_aRoh, David S., _d1978- |
|
| 245 | 1 | 0 |
_aIllegal literature : _btoward a disruptive creativity / _cDavid S. Roh. |
| 264 | 1 |
_aMinneapolis : _bUniversity of Minnesota Press, _c[2015] |
|
| 300 |
_ax, 163 pages : _billustrations ; _c22 cm |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aPrologue: between analog and digital cultures -- Introduction: accretive genius: the case for disrupting culture -- Dead authors, copyright law, and parodic fictions -- How Japanese fan fiction beat the lawyers -- The open source model: versioning literature and culture -- Epilogue: on being accused. | |
| 650 | 0 |
_aLiterature _xPhilosophy. |
|
| 650 | 0 | _aLiterature and technology. | |
| 650 | 0 | _aCreation (Literary, artistic, etc.) | |
| 948 | _au603568 | ||
| 949 |
_aPN45 .R577 2015 _wLC _c1 _hEY8Z _i33039001358968 |
||
| 596 | _a1 | ||
| 903 | _a31968 | ||
| 999 |
_c31968 _d31968 |
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