| 000 | 01276nam a2200301 4500 | ||
|---|---|---|---|
| 001 | 0172077502 | ||
| 003 | MiTN | ||
| 005 | 20190729105812.0 | ||
| 008 | 721017s1972 nyua b 00100 eng | ||
| 020 | _a0195015770 | ||
| 040 | _cMiTN | ||
| 049 | _aEY8Z | ||
| 050 | 0 |
_aN6490 _b.S74 |
|
| 059 | _a001 HIST 72077502 | ||
| 082 | _a709/.04 | ||
| 092 | _aN 6490 .S74 | ||
| 100 | 1 | 0 |
_aSteinberg, Leo, _d1920- |
| 245 | 1 | 0 | _aOther criteria: confrontations with twentieth-century art. |
| 260 | 0 |
_aNew York, _bOxford University Press, _c1972. |
|
| 300 |
_aviii, 436 p. _billus. _c27 cm. |
||
| 350 | _a$17.50 | ||
| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | _aContemporary art and the plight of its public.--Jasper Johns: the first seven years of his art.--Other criteria.--Picasso's sleepwatchers.--The skulls of Picasso.--The Algerian women and Picasso at large.--Monet's Water lilies.--Gonzalez.--Recent drawings, USA.--De Kooning's Woman.--Pollock's first retrospective.--Pascin.--Torsos and Raoul Hague.--Fritz Garner and Philip Guston at the Modern.--Paul Brach's pictures.--The eye is a part of the mind.--Objectivity and the shrinking self.--Rodin. | |
| 650 | 0 |
_aArt, Modern _y20th century. |
|
| 596 | _a1 | ||
| 948 | _au42894 | ||
| 903 | _a29330 | ||
| 999 |
_c29330 _d29330 |
||