000			03133cam a2200421 i 4500
001			2013042857
003			DLC
005			20190729105610.0
008			140103s2014 njua b s001 0 eng
010			_a 2013042857
020			_a9780813563411 _q(hardback)
020			_a9780813563404 _q(paperback)
020			_z9780813563428 (e-book)
042			_apcc
040			_aDLC _beng _erda _cDLC _dMvI
050	0	0	_aPN1996 _b.S38 2014
082	0	0	_a808.2/3 _223
084			_aPER004050 _2bisacsh
245	0	0	_aScreenwriting / _cedited by Andrew Horton and Julian Hoxter.
264		1	_aNew Brunswick, New Jersey : _bRutgers University Press, _c[2014]
300			_a212 pages : _billustrations ; _c24 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	0		_aBehind the silver screen series ; _v8
520			_a"Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman's Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals. "-- _cProvided by publisher.
504			_aIncludes bibliographical references (pages 181-185) and index.
505	0		_aIntroduction / Julian Hoxter -- Machine to Screen: The Evolution toward Story, 1895-1928 / J. Madison Davis -- Classical Hollywood, 1928-1946 / Mark Eaton -- Postwar Hollywood, 1947-1967 / Jon Lewis -- The Auteur Renaissance, 1968-1980 / Kevin Alexander Boon -- Screenwriting in Another "New Hollywood",1980-1999 / Julian Hoxter -- Screenwriting in The Modern Entertainment Marketplace, 2000-present / Mark J. Charney -- Academy Award Winners for Screenwriting.
650		0	_aMotion picture authorship _xHistory.
650		0	_aMotion picture industry _zUnited States _xHistory.
650		7	_aPERFORMING ARTS / Film & Video / Screenwriting. _2bisacsh
700	1		_aHorton, Andrew, _d1944-
700	1		_aHoxter, Julian.
948			_au380037
949			_aPN1996 .S38 2014 _wLC _c1 _hEY8Z _i33039001354454
596			_a1
903			_a27977
999			_c27977 _d27977