000			02090cam a2200349 a 4500
001			2012930336
003			DLC
005			20190729105559.0
008			120105s2012 enk b 001 0 eng d
010			_a 2012930336
016	7		_a015964076 _2Uk
020			_a9780199642953
020			_a0199642958
035			_a(OCoLC)ocn754711758
042			_alccopycat
040			_aERASA _beng _cERASA _dUKMGB _dBTCTA _dYDXCP _dNLE _dUAT _dCDX _dVVC _dDLC _dMvI
050	0	0	_aPQ2301 _b.G763 2012
082	0	4	_a440
100	1		_aGrossman, Kathryn M.
245	1	4	_aThe later novels of Victor Hugo : _bvariations on the politics and poetics of transcendence / _cKathryn M. Grossman.
250			_a1st ed.
260			_aOxford : _bOxford University Press _c2012.
300			_axii, 285 p. ; _c23 cm
504			_aIncludes bibliographical references (p. [265]-275) and index.
505	0		_aFrom Han d'island to Les MiseÌrables and beyond -- Monsters, marvels, and transport in Les travailleurs de la mer -- Dystopia and poetic vision in L'homme qui rit -- Romanticism and utopia: Quatrevingt-treize and endless revolution.
520	8		_aThis study places the last three novels of Victor Hugo's maturity: "Les Travailleurs de la mer" (1866), "L'Homme qui rit" (1869), and "Quatrevingt-Treize" (1874) - within the context of his artistic development after the success of Les MiseÌrables (1862). By situating these historical narratives in relation to each other, to all of Hugo's previous fiction, and to a number of poetic and critical works published in exile and in the initial years of the Third Republic, it illuminates the final structural and thematic shifts from a poetics of harmony to one of transcendence. As in "Les MiseÌrables", the disharmony associated with social tumult, apocalyptic vision, and oxymoronic tensions provides an essential component of the later Hugo's Romantic sublime.
600	1	0	_aHugo, Victor, _d1802-1885 _xCriticism and interpretation.
948			_au379936
949			_aPQ2301 .G763 2012 _wLC _c1 _hEY8Z _i33039001353522
596			_a1
903			_a27871
999			_c27871 _d27871