000 01967cam a2200445 i 4500
001 2013045490
003 DLC
005 20190729105453.0
008 140114s2014 mdu bkq 001 0 eng
010 _a 2013045490
020 _a9781421414294
_q(hardcover:
_qalkaline paper)
020 _a1421414295
_q(hardcover:
_qalkaline paper)
020 _a9781421414300
_q(paperback :
_qalkaline paper)
020 _a1421414309
_q(paperback :
_qalkaline paper)
020 _z9781421414317 (electronic)
020 _z1421414317 (electronic)
042 _apcc
043 _an-us---
040 _aDLC
_beng
_erda
_cDLC
_dMvI
050 0 0 _aPN1969.C65
_b.K74 2014
082 0 0 _a792.7/60973
_223
100 1 _aKrefting, Rebecca,
_d1978-
245 1 0 _aAll joking aside :
_bAmerican humor and its discontents /
_cRebecca Krefting.
264 1 _aBaltimore :
_bJohns Hopkins University Press,
_c[2014]
300 _axi, 346 pages ;
_c23 cm
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
500 _aIncludes filmographies and discographies.
504 _aIncludes bibliographical references (pages 245-268) and index.
505 0 _aIntroduction: American humor and its discontents -- Making connections: building cultural citizenship through charged humor -- Twentieth-century stand-up: a history of charged humor -- Laughing into the new millennium -- When women perform charged humor: the (gendered) politics of consumption -- Robin Tyler: still 'working the crowd' -- Micia Mosely: humor out of the mouths of babes -- Hari Kondabolu: performing in the age of modern-day minstrelsy -- Conclusion: How to avoid the last laugh.
650 0 _aStand-up comedy
_zUnited States.
650 0 _aComedy
_xHistory and criticism.
650 0 _aParticipatory theater.
948 _au379259
949 _aPN1969 .C65 .K74 2014
_wLC
_c1
_hEY8Z
_i33039001338911
596 _a1
903 _a27247
999 _c27247
_d27247