| 000 | 03858cam a2200397 i 4500 | ||
|---|---|---|---|
| 001 | 2014009026 | ||
| 003 | DLC | ||
| 005 | 20190729105452.0 | ||
| 008 | 140313s2014 enka b 001 0 eng | ||
| 010 | _a 2014009026 | ||
| 020 |
_a9781408184981 _q(paperback) |
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| 042 | _apcc | ||
| 040 |
_aDLC _beng _erda _cDLC _dMvI |
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| 050 | 0 |
_aPN2062 _b.G55 2014 |
|
| 082 | 0 | 0 |
_a792.02/8 _223 |
| 084 |
_aPER001000 _2bisacsh |
||
| 100 | 1 |
_aGillett, Aden, _d1958- |
|
| 245 | 1 | 0 |
_aActing Stanislavski : _ba practical guide to Stanislavski's approach and legacy / _cJohn Gillett ; illustrations by Jannis Labelle and Dany Heck. |
| 264 | 1 |
_aLondon ; _aNew York : _bBloomsbury, _c2014. |
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| 300 |
_axxix, 310 pages : _billustrations ; _c24 cm |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
||
| 520 |
_a"Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance. Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher"-- _cProvided by publisher. |
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| 520 |
_a"Acting Stanislavski is an inspiring and technically thorough practical book for actors. It sets down a systematic and coherent process for organic, Stanislavski-based acting"-- _cProvided by publisher. |
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| 504 | _aIncludes bibliographical references ( pages 291-294) and index. | ||
| 505 | 8 | _aMachine generated contents note: -- Acknowledgements Foreword, by Sam West. Introduction - acting in context PART ONE STARTING FROM NOTHING Chapter 1 Awareness Chapter 2 Ease and focus PART TWO IMAGINATION AND ACTION - CREATING THE FOUNDATIONS Chapter 3 Acting in circumstances Chapter 4 Acting with others Chapter 5 What do I want? PART THREE DEVELOPING THE IMAGINARY REALITY - IMAGES, SENSING, FEELING Chapter 6 Imagining the action Chapter 7 Sensing Chapter 8 Feeling Chapter 9 Atmosphere PART FOUR EXPLORING TEXT AND CHARACTER Chapter 10 Meeting the play Chapter 11 Meeting the character PART FIVE CREATING THE LIFE OF THE ROLE Chapter 12 Discovering the action - active analysis Chapter 13 Embodiment - physical expression of the character Chapter 14 Refining the role Chapter 15 The character PART SIX BEYOND THE ROLE Chapter 16 Acting ethics Chapter 17 Working together Chapter 18 An open conclusion A map of the organic acting process Glossary Selected bibliography Index. | |
| 650 | 0 | _aMethod acting. | |
| 600 | 1 | 0 |
_aStanislavsky, Konstantin, _d1863-1938. |
| 650 | 0 | _aActing. | |
| 650 | 7 |
_aPERFORMING ARTS / Acting & Auditioning. _2bisacsh |
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| 948 | _au379249 | ||
| 949 |
_aPN2062 .G55 2014 _wLC _c1 _hEY8Z _i33039001338812 |
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| 596 | _a1 | ||
| 903 | _a27236 | ||
| 999 |
_c27236 _d27236 |
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