000			01932cam a2200373 i 4500
001			2014003864
003			DLC
005			20190729105451.0
008			140130s2014 ncua b 001 0 eng
010			_a 2014003864
020			_a9780786476503 _q(softcover: _qalkaline paper)
020			_z9781476614885 (ebook)
042			_apcc
043			_an-us---
040			_aDLC _beng _erda _cDLC _dDLC _dMvI
050	0	0	_aPN1992.8.A59 _bP47 2014
082	0	0	_a791.45/3 _223
100	1		_aPerlmutter, David, _d1980-
245	1	0	_aAmerica toons in : _ba history of television animation / _cDavid Perlmutter.
264		1	_aJefferson, North Carolina : _bMcFarland & Company, Inc., Publishers, _c[2014]
300			_aviii, 414 pages : _billustrations ; _c26 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references (pages 391-401) and index.
505	0		_aPencil tests (1900/1948) -- Marginalia (1948/1956) -- Silhouette storytelling (1957/1969) -- House arrest (1970/1979) -- Sweet and sour (1980/1990) -- Songs of innocence and experience (1990/1999) -- Dreams deferred (2000/present) -- Conclusion: Where are we going.
520			_a"Examining the productions of individual studios and producers, the author discusses ways in which the genre has often been unfairly marginalized by critics and how producers have challenged and embraced this "marginally" as a vital part of their work. This provides a framework for understanding the presence of television animation in American media--and how influential it has been"-- _cProvided by publisher.
650		0	_aAnimated television programs _zUnited States _xHistory and criticism.
650		0	_aAnimated television programs _xSocial aspects _zUnited States.
948			_au379241
949			_aPN1992.8 .A59 P47 2014 _wLC _c1 _hEY8Z _i33039001338739
596			_a1
903			_a27228
999			_c27228 _d27228