| 000 | 01619cam a2200373 i 4500 | ||
|---|---|---|---|
| 001 | 2013019584 | ||
| 003 | DLC | ||
| 005 | 20190729105445.0 | ||
| 008 | 130605s2014 nyua b 001 0 eng | ||
| 010 | _a 2013019584 | ||
| 020 | _a9780231167949 (cloth : acidfree paper) | ||
| 020 |
_a9780231167956 _q(paperback) |
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| 020 | _z9780231537896 (e-book) | ||
| 042 | _apcc | ||
| 043 | _an-us--- | ||
| 040 |
_aDLC _beng _erda _cDLC _dDLC _dMvI |
||
| 050 | 0 | 0 |
_aPN1993.5.U6 _bK466 2014 |
| 082 | 0 | 0 |
_a791.430973 _223 |
| 100 | 1 |
_aKing, Geoff, _d1960- |
|
| 245 | 1 | 0 |
_aIndie 2.0 : _bchange and continuity in contemporary American indie film / _cGeoff King. |
| 264 | 1 |
_aNew York : _bColumbia University Press, _c[2014] |
|
| 300 |
_aix, 301 pages : _billustrations ; _c24 cm |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 286-291) and index. | ||
| 505 | 0 | _aIntroduction: discourses on the state of indie film -- Quirky by design? irony vs. sincerity in Little Miss Sunshine and Juno -- Industry 2.0: the digital domain and beyond -- Mumblecore -- Social realism and art cinema: the films of Kelly Reichardt and Ramin Bahrani -- The desktop aesthetic: first-person expressive in Tarnation and Four eyed monsters -- Conclusion: indie lives!. | |
| 650 | 0 |
_aIndependent films _zUnited States _xHistory and criticism. |
|
| 650 | 0 |
_aMotion pictures _zUnited States _xHistory _y21st century. |
|
| 948 | _au379123 | ||
| 949 |
_aPN1993.5 .U6 K466 2014 _wLC _c1 _hEY8Z _i33039001338333 |
||
| 596 | _a1 | ||
| 903 | _a27172 | ||
| 999 |
_c27172 _d27172 |
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