000 | 02738cam a2200457Ii 4500 | ||
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001 | 853452431 | ||
003 | OCoLC | ||
005 | 20190729105228.0 | ||
019 | _a834409833 | ||
008 | 130718t20132013enka b 001 0 eng d | ||
020 | _a9781780231730 | ||
020 | _a1780231733 | ||
035 |
_a(OCoLC)853452431 _z(OCoLC)834409833 |
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040 |
_aERASA _beng _erda _cERASA _dUKMGB _dBTCTA _dGK8 _dBDX _dOCLCQ _dYDXCP _dYNK _dYAM _dORX _dDEBSZ _dYBM _dOCLCQ _dOBE |
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049 | _aEY8Z | ||
050 | 4 |
_aGR825 _b.S288 2013 |
|
082 | 0 | 4 | _a700 |
082 | 0 | 4 |
_a398.24/54 _223 |
100 | 1 | _aSax, Boria. | |
245 | 1 | 0 |
_aImaginary animals : _bthe monstrous, the wondrous and the human / _cBoria Sax. |
264 | 1 |
_aLondon : _bReaktion Books, _c2013. |
|
264 | 4 | _c©2013. | |
300 |
_a278 pages : _billustrations (chiefly color) ; _c26 cm. |
||
336 |
_atext _btxt _2rdacontent. |
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336 |
_astill image _bsti _2rdacontent. |
||
337 |
_aunmediated _bn _2rdamedia. |
||
338 |
_avolume _bnc _2rdacarrier. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aThe true unicorn -- Animal encounters -- What is an 'imaginary animal'? -- Every real animal is imaginary -- Every imaginary animal is real -- Monsters -- Wonders -- Creatures of water -- Creatures of fire and air -- Creatures of earth -- Shape-shifters -- Mechanical animals -- Conclusion. | |
520 | 8 | _aMedieval authors placed fantastic creatures in the borders of manuscripts, since they mark the boundaries of our understanding. Tales throughout the world generally place fabulous beasts in marginal locations. According to apocalyptic visions of the Bible, they will also proliferate as we approach the end of time. Because they challenge our conceptual powers, fantastic creatures also seem to exist at the limits of language. Legends tell us that imaginary animals belong to a primordial time, before we had encompassed the world in names, categories and elaborate conceptual frameworks. This richly illustrated book shows how, despite their liminal role, dog-men, mermaids, and many other imaginary creatures are socially constructed through the same complex play of sensuality and imagination as "real" ones. It traces the history of imaginary animals from Palaeolithic art to the Harry Potter stories. These figures help us psychologically by giving form to our amorphous fears as "monsters", as well as embodying our hopes as "wonders." | |
650 | 0 | _aAnimals, Mythical. | |
650 | 0 | _aMonsters. | |
650 | 0 | _aAnimals, Mythical, in art. | |
650 | 0 | _aAnimals, Mythical, in literature. | |
650 | 0 |
_aAnimals _xFolklore. |
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650 | 0 | _aCryptozoology. | |
948 | _au367267 | ||
949 |
_aGR825 .S288 2013 _wLC _c1 _hEY8Z _i33039001306272 |
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596 | _a1 | ||
903 | _a25796 | ||
999 |
_c25796 _d25796 |