000 | 01741nam a2200373 a 4500 | ||
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001 | 2012454981 | ||
003 | DLC | ||
005 | 20190729105112.0 | ||
008 | 120925s2012 onca b 001 0 eng d | ||
010 | _a 2012454981 | ||
016 | _a20129016268 | ||
020 | _a9781442643512 | ||
020 | _a144264351X | ||
020 |
_a9781442612044 _qpaperback |
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020 |
_a1442612045 _qpaperback |
||
035 | _a(OCoLC)ocn765984919 | ||
040 |
_aTOH _cTOH _dNLC _dCDX _dOCLCO _dUAU _dGPRCL _dYDXCP _dBWX _dDLC |
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042 | _alccopycat | ||
049 | _aEY8Z | ||
050 | 0 | 0 |
_aPN6710 _b.B43 2012 |
082 | 0 | 4 |
_a741.5 _223 |
100 | 1 | _aBeaty, Bart. | |
245 | 1 | 0 |
_aComics versus art / _cBart Beaty. |
260 |
_aToronto ; _aBuffalo : _bUniversity of Toronto Press, _cc2012. |
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300 |
_ax, 274 p. : _bill. ; _c24 cm. |
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504 | _aIncludes bibliographical references (p. [227]-254) and index. | ||
505 | 0 | _aIntroduction: Out of the historical dustbin : comics and the hierarchy of genres -- What if comics were art? Defining a comics art world -- Roy Lichtenstein's tears : Ressentiment and exclusion in the world of pop art -- Searching for artists in the entertainment empire -- Cartoons as masterpieces: an essay on illustrated classics -- Highbrow comics and lowbrow art? The shifting contexts of the comics art object -- On junk, investments, and junk investments: the evolution of comic book collectables -- Crumbs from the table: the place of comics in art museums -- By way of conclusion : Chris Ware's Comics about art. | |
650 | 0 |
_aComic books, strips, etc. _xHistory and criticism. |
|
650 | 0 | _aComic books, strips, etc., in art. | |
948 | _au366348 | ||
949 |
_aPN6710 .B43 2012 _wLC _c1 _hEY8Z _i33039001315935 |
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596 | _a1 | ||
903 | _a25054 | ||
999 |
_c25054 _d25054 |