000 | 01570cam a22003494a 4500 | ||
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001 | 2012022218 | ||
003 | DLC | ||
005 | 20190729104942.0 | ||
008 | 120531s2013 cau b 001 0 eng | ||
010 | _a 2012022218 | ||
020 | _a9780520268784 (cloth : alk. paper) | ||
020 | _a0520268784 (cloth : alk. paper) | ||
035 | _a(OCoLC)ocn785873726 | ||
040 |
_aDLC _beng _cDLC _dYDX _dBTCTA _dBDX _dERASA _dIAD _dYDXCP _dIK2 _dVP@ _dBWX _dJQM _dTDF _dDLC |
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042 | _apcc | ||
043 | _an-us--- | ||
049 | _aEY8Z | ||
050 | 0 | 0 |
_aML3508 _b.M94 2013 |
082 | 0 | 0 |
_a781.65/5 _223 |
100 | 1 |
_aMyers, Marc, _d1956- |
|
245 | 1 | 0 |
_aWhy jazz happened / _cMarc Myers. |
260 |
_aBerkeley : _bUniversity of California Press, _cc2013. |
||
300 |
_ax, 267 p. ; _c24 cm. |
||
504 | _aIncludes bibliographical references and index. | ||
520 | _aA comprehensive social history looks at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz's post-war styles. | ||
505 | 0 | _aAcknowledgments -- Introduction -- Record Giants Blink -- DJs, Promoters, and Bebop -- G.I. Bill and Cool -- Speed War, Tape, and Solos -- Suburbia and West Coast Jazz -- BMI, R&B, and Hard Bop -- Bias, Africa, and Spiritual Jazz -- Invasion and Jazz-Pop -- Alienation and the Avant-Garde -- Lights, Volume, and Fusion -- Jazz Hangs On -- Notes -- Index. | |
650 | 0 |
_aJazz _xHistory and criticism. |
|
948 | _au362444 | ||
949 |
_aML3508 .M94 2013 _wLC _c1 _hEY8Z _i33039001268738 |
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596 | _a1 | ||
903 | _a24143 | ||
999 |
_c24143 _d24143 |