| 000 | 01199nam a2200325 a 4500 | ||
|---|---|---|---|
| 001 | 2012023065 | ||
| 003 | DLC | ||
| 005 | 20190729104932.0 | ||
| 008 | 120620s2013 nyu 001 0 eng | ||
| 010 | _a 2012023065 | ||
| 020 | _a9780770436940 | ||
| 040 |
_aDLC _cDLC _dDLC _dMiTN |
||
| 042 | _apcc | ||
| 049 | _aEY8Z | ||
| 050 | 0 | 0 |
_aPN1995.9.P7 _bR655 2013 |
| 082 | 0 | 0 |
_a791.4302/3 _223 |
| 100 | 1 |
_aRousseau, David H. _q(David Harland) |
|
| 245 | 1 | 0 |
_aStoryboarding essentials : _bhow to translate your story to the screen for film and tv / _cDavid Harland Rousseau and Benjamin Reid Phillips. |
| 260 |
_aNew York : _bWatson-Guptill, _c2013. |
||
| 300 |
_a191 p. : _bill. ; _c28 cm. |
||
| 500 | _aIncludes index. | ||
| 505 | 0 | _aForeword -- What is storyboarding? -- Interpreting the written word -- Rendering -- Principles, elements, and conventions -- Continuity -- What the camera sees -- Move me! -- The Martini shot -- Afterword. | |
| 650 | 0 |
_aMotion pictures _xProduction and direction. |
|
| 650 | 0 | _aStoryboards. | |
| 700 | 1 | _aPhillips, Benjamin Reid. | |
| 948 | _au362276 | ||
| 949 |
_aPN1995.9 .P7 R655 2013 _wLC _c1 _hEY8Z _i33039001267508 |
||
| 596 | _a1 | ||
| 903 | _a24045 | ||
| 999 |
_c24045 _d24045 |
||