000 | 03122cam a2200373Ia 4500 | ||
---|---|---|---|
001 | 820779537 | ||
003 | OCoLC | ||
005 | 20190729104918.0 | ||
008 | 121130s2013 enka b 001 0deng d | ||
015 |
_aGBB2C2315 _2bnb |
||
016 | 7 |
_a016225042 _2Uk |
|
019 | _a783160236 | ||
020 | _a9780500238950 (hbk.) | ||
020 | _a0500238952 (hbk.) | ||
035 | _a.b72668799 | ||
040 |
_aUKMGB _beng _cUKMGB _dOCLCO _dBTCTA _dBDX _dYDXCP _dERASA _dZVP _dYNK _dFM0 _dBWX _dIAC _dCDX _dOSU _dUtOrBLW |
||
049 | _aEY8Z | ||
050 | 4 |
_aN7480 _b.B66 2013 |
|
082 | 0 | 4 |
_a709 _223 |
245 | 0 | 4 |
_aThe books that shaped art history : _bfrom Gombrich and Greenberg to Alpers and Krauss / _cby edited by Richard Shone, John-Paul Stonard. |
260 |
_aLondon ; _aNew York : _bThames & Hudson, _cc2013. |
||
300 |
_a264 p. : _bill. ; _c25 cm. |
||
504 | _aIncludes bibliographical references (p. [216]-257) and index. | ||
505 | 0 | 0 |
_rEmile MaÌle. _tL'art religieux du XIIIe sieÌcle en France: eÌtude sur l'iconographie du Moyen Age et sur ses sources d'inspiration, _g1898 / _rAlexandra Gajewski -- _rBernard Berenson. _tThe drawings of the Florentine painters classified, criticised and studied as documents in the history and appreciation of Tuscan art, with a copious catalogue raisonneÌ, _g1903 / _rCarmen C. Bambach -- _rHeinrich WoÌlfflin. _tKunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst, _g1915 / _rDavid Summers -- _rRoger Fry. _tCeÌzanne: a study of his development, _g1927 / _rRichard Verdi -- _rNikolaus Pevsner. _tPioneers of the Modern movement from William Morris to Walter Gropius, _g1936 / _rColin Amery -- _rAlfred H. Barr, Jr. _tMatisse: his art and his public, _g1951 / _rJohn Elderfield -- _rErwin Panofsky. _tEarly Netherlandish painting: its origins and character, _g1953 / _rSusie Nash -- _rKenneth Clark. _tThe nude: a study of ideal art, _g1956 / _rJohn-Paul Stonard -- _rE.H. Gombrich. _tArt and illusion: a study in the psychology of pictorial representation, _g1960 / _rChristopher S. Wood -- _rClement Greenberg. _tArt and culture: critical essays, _g1961 / _rBoris Groys -- _rFrancis Haskell. _tPatrons and painters: a study in the relations between Italian art and society in the age of the baroque, _g1963 / _rLouise Rice -- _rMichael Baxandall. _tPainting and experience in fifteenth century Italy: a primer in the social history of pictorial style, _g1972 / _rPaul Hills -- _rT.J. Clark. _tImage of the people: Gustave Courbet and the 1848 revolution, _g1973 / _rAlastair Wright -- _rSvetlana Alpers. _tThe art of describing: Dutch art in the seventeenth century, _g1983 / _rMarieÌt Westermann -- _rRosalind Krauss. _tThe originality of the avant garde and other Modernist myths, _g1985 / _rAnna Lovatt -- _rHans Belting. _tBild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst, _g1990 / _rJeffrey Hamburger. |
650 | 0 |
_aArt _xHistoriography. |
|
650 | 0 |
_aArt _xHistory. |
|
650 | 0 |
_aArt historians _vBiography. |
|
700 | 1 | _aShone, Richard. | |
700 | 1 |
_aStonard, John-Paul, _d1973- |
|
948 | _au362108 | ||
949 |
_aN7480 .B66 2013 _wLC _c1 _hEY8Z _i33039001282044 |
||
596 | _a1 | ||
903 | _a23881 | ||
999 |
_c23881 _d23881 |