000 | 03189cam a2200337 i 4500 | ||
---|---|---|---|
001 | ocm1083180732 | ||
005 | 20200821113921.0 | ||
008 | 190115t20192019miua b 001 0deng | ||
010 | _a 2019001977 | ||
020 |
_a9780472074266 _q(hardcover : alk. paper) |
||
020 | _a0472074261 | ||
035 | _aon1083180732 | ||
035 | _a(OCoLC)1083180732 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCO _dBDX _dYDX _dOCLCF _dERASA _dYDX _dEZK _dMiTN |
||
042 | _apcc | ||
043 | _an-us-mi | ||
050 | 0 | 0 |
_aML3508.8. D4 _bS87 2019 |
100 | 1 | _aStryker, Mark, | |
245 | 1 | 0 |
_aJazz from Detroit / _cMark Stryker. |
264 | 1 |
_aAnn Arbor : _bUniversity of Michigan Press, _c2019. |
|
264 | 4 | _c©2019. | |
300 |
_axiv, 342 pages ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent. |
||
337 |
_aunmediated _bn _2rdamedia. |
||
338 |
_avolume _bnc _2rdacarrier. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aPart one : Setting the stage -- Part two : The golden age, 1940-60 -- Part three : The Jones Brothers -- Part four : Taking control - self-determination in the 1960s and '70s -- Part five : Marcus Belgrave and his children -- Part six : Tradition and transition in the 21st century. | |
520 | 8 | _aJazz from Detroit explores the city's pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit's distinctive history. Stryker's story starts in the 1940s and '50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians-Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city's fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and '70s, such as the Strata Corporation and Tribe. In more recent decades, the city's culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave proteges like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit's jazz tradition provides a powerful symbol of the city's lasting cultural influence. Stryker's 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit. | |
650 | 0 |
_aJazz _zMichigan _zDetroit _xHistory and criticism. |
|
650 | 0 |
_aJazz musicians _zMichigan _zDetroit. |
|
999 |
_c236734 _d236734 |