000 | 02570nam a22003378i 4500 | ||
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001 | sky295362741 | ||
003 | SKY | ||
005 | 20200821113920.0 | ||
008 | 190111s2019 nyu b 001 0 eng | ||
010 | _a2019001627 | ||
020 | _a9781541644366 | ||
020 | _a1541644360 | ||
040 |
_aDLC _beng _erda _cDLC _dSKYRV _dMiTN |
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042 | _apcc | ||
050 | 0 | 0 |
_aML3916 _b.G59 2019 |
092 | _a780.9 GIO | ||
100 | 1 | _aGioia, Ted, | |
245 | 1 | 0 |
_aMusic : _ba subversive history / _cTed Gioia. |
250 | _aFirst edition. | ||
263 | _a1908. | ||
264 | 1 |
_aNew York : _bBasic Books, _c2019. |
|
300 |
_ax, 514 pages ; _c25 cm. |
||
336 |
_atext _btxt _2rdacontent. |
||
337 |
_aunmediated _bn _2rdamedia. |
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338 |
_avolume _bnc _2rdacarrier. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aThe origin of music as a force of creative destruction -- Carnivores at the philharmonic -- In search of a universal music -- Music history as a battle between magic and mathematics -- Bulls and sex toys -- The storyteller -- The invention of the singer -- The shame of music -- Unmanly music -- The devil's songs -- Oppression and musical innovation -- Not all wizards carry wands -- The invention of the audience -- Musicians behaving badly -- The origins of the music business -- Culture wars -- Subversives in wigs -- You say you want a revolution? -- The great flip-flop -- The aesthetics of diaspora -- Black music and the great American lifestyle crisis -- Rebellion goes mainstream -- Funky butt -- The origins of country music in the neolithic era -- Where did our love go? -- The sacrificial ritual -- Rappers and technocrats -- Welcome our new overlords -- Epilogue: this is not a manifesto. | |
520 | _aHistories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, historian Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how social outcasts have repeatedly become trailblazers of musical expression: slaves and their descendants, for instance, have repeatedly reinvented music, from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. | ||
650 | 0 |
_aMusic _xSocial aspects _xHistory. |
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650 | 0 |
_aMusic _xPolitical aspects _xHistory. |
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999 |
_c236729 _d236729 |