000 | 01269cam a2200349 i 4500 | ||
---|---|---|---|
001 | ocm1078886717 | ||
003 | OCoLC | ||
005 | 20200122110842.0 | ||
008 | 190301t20192019nyua b 001 0 eng | ||
010 | _a2019010472 | ||
019 | _a1078879661 | ||
020 | _z1501342371 | ||
020 | _a9781501342370 | ||
020 | _z9781501342387 | ||
020 | _z150134238X | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dYDX _dRES _dYUS _dOBE _dOKX _dMiTN |
||
050 | 0 | 0 |
_aML3470 _b.H64 2019 |
100 | 1 | _aHodgson, Jay, | |
245 | 1 | 0 |
_aUnderstanding records : _ba field guide to recording practice / _cJay Hodgson. |
250 | _aSecond edition. | ||
264 | 1 |
_aNew York, New York : _bBloomsbury Academic, _c2019. |
|
264 | 4 | _c©2019. | |
300 |
_avii, 233 pages : _billustrations ; _c23 cm. |
||
336 |
_atext _btxt _2rdacontent. |
||
337 |
_aunmediated _bn _2rdamedia. |
||
338 |
_avolume _bnc _2rdacarrier. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aTracking (making audio signals) -- Mixing (the space of communications) -- Mastering (the final say) -- Coda (fade-out). | |
650 | 0 |
_aPopular music _xProduction and direction. |
|
650 | 0 |
_aPopular music _xAnalysis, appreciation. |
|
650 | 0 |
_aSound recordings _xProduction and direction. |
|
999 |
_c236581 _d236581 |