000			02647cam a2200325 i 4500
001			2016021235
003			DLC
005			20190524125310.0
008			160513s2017 nyuab b 001 0 eng
010			_a 2016021235
020			_a9780195307245 _qhardcover ; _qalkaline paper
042			_apcc
040			_aDLC _beng _erda _cDLC _dDLC
050	0	0	_aML3545 _b.F598 2017
082	0	0	_a780.89/96 _223
100	1		_aFloyd, Samuel A., _cJr., _d1937-2016,
245	1	4	_aThe transformation of black music : _bthe rhythms, the songs, and the ships that make the African diaspora / _cSamuel A. Floyd, Jr. with Melanie Zeck and Guthrie Ramsey, Jr.
264		1	_aNew York, NY : _bOxford University Press, _c[2017]
300			_axxxv, 240 pages : _billustrations, maps ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 221-223) and index.
505	0		_aForeword / Melanie Zeck -- Preface / Samuel A. Floyd Jr. and Melanie Zeck -- Introduction -- Black music and the African Diaspora. Out of Africa: setting sail from the motherland -- The making of the African Diaspora: ships on the oceans -- The Diaspora's concert worlds: Europe and the Americas -- Isles of rhythm: the Cinquillo-Tresillo Complex in the Circum-Caribbean -- Ties that bind: myth and ritual in the Circum-Caribbean and beyond -- Case studies. "Pip's tambourine": black music and Sterling Stuckey's revelations of Herman Melville's hidden sources -- "Git on board, lil' chillun": children and music in the Diaspora / (by Melanie Zeck) -- The movement: black identities and the paths forward -- Afro-modernism and music: on science, community, and magic in the black avant-garde / (by Guthrie Ramsey Jr.) -- Africa and the trope of the return -- Epilogue -- Appendix A: Excerpt from "Ring shout!: literary studies, historical studies, and black music inquiry" -- Appendix B: Figures and institutions from the "first black renaissance."
520			_aThe Transformation of Black Music includes a full spectrum of black musics from four continents as it argues for a re-codification of black musics and performers. Framed by a call and response argument, the authors present not only a more holistic and historically accurate understanding of musics in the African Diaspora, but also an intellectually robust future for the field of black music research.
650		0	_aBlacks _vMusic _xHistory and criticism.
650		0	_aAfricans _xMusic _xHistory and criticism.
700	1		_aZeck, Melanie,
700	1		_aRamsey, Guthrie P.,
999			_c233727 _d233727