000			03253nam a2200397 i 4500
001			2017569147
003			DLC
005			20190524125304.0
008			180212t20172017enkag b 001 0 eng d
010			_a 2017569147
020			_a1783272376 _qhardcover
020			_a9781783272372 _qhardcover
035			_a(OCoLC)ocn981957950
035			_a(OCoLC)981957950
042			_alccopycat
040			_aYDX _beng _erda _cYDX _dUX0 _dPIT _dCHVBK _dOCLCO _dUPP _dTDF _dHTM _dDLC
050	0	0	_aML410.B42 _bM87 2017
082	0	4	_a787.4/183092 _223
100	1		_aMoskovitz, Marc,
245	1	0	_aBeethoven's cello : _bfive revolutionary sonatas and their world / _cMarc D. Moskovitz and R. Larry Todd.
264		1	_a[Woodbridge] : _bThe Boydell Press, _c[2017]
264		4	_c�2017
300			_axxiv, 249 pages : _billustrations, music ; _c24 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
336			_anotated music _bntm _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 203-238) and indexes.
505	0	0	_g1 _tFrom Bonn to Berlin -- _g2 _tMusic fit for a king: the sonata in F major Op. 5 No. 1 (1796) -- _g3 _tTragic/comic masks: the sonata in G minor Op. 5 No. 2 (1796) -- _g4 _tThemes and variations -- _g5 _tFreindship, war, tears, and grief: the sonata in A major Op. 69 (1808) -- _g6 _tFreedom and control: the sonata in C major Op. 102 No. 1 (1815) -- _g7 _t'Most remarkable and strange': the sonata in D major Op. 102 No. 2 (1815) -- _g8 _tOpus Posthuman.
520	8		_a"In 1796 the young Beethoven presented his first two cello sonatas at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style. In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural context. Also considered in a series of interludes are Beethoven's three variation sets, his cello-centric 'Triple' Concerto, and arrangements for cello and piano of other works. Two other interludes address the cellos owned by Beethoven and the changing nature of his pianos. Featuring a preface by renowned cellist Steven Isserlis and concluding with translated reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire."--Jacket flap.
600	1	0	_aBeethoven, Ludwig van, _d1770-1827. _tSonatas, _mcello, piano.
650		0	_aSonata _y19th century.
650		0	_aChamber music _y19th century _xHistory and criticism.
700	1		_aTodd, R. Larry,
999			_c233639 _d233639