000			02004cam a2200433 a 4500
001			2010044915
003			DLC
005			20190729104457.0
008			101025s2011 ctua b 001 0 eng
010			_a 2010044915
020			_a9780819571328 (alk. paper)
020			_a0819571326 (alk. paper)
020			_a9780819571335 (pbk. : alk. paper)
020			_a0819571334 (pbk. : alk. paper)
020			_a9780819571342 (e-book)
020			_a0819571342 (e-book)
035			_a(OCoLC)ocn666220282
040			_aDLC _cDLC _dYDX _dBTCTA _dYDXCP _dBWX _dDLC
043			_an-us---
049			_aEY8Z
050	0	0	_aPN1995.9.N4 _bS54 2011
082	0	0	_a791.43/652996073 _222
100	1		_aSieving, Christopher.
245	1	0	_aSoul searching : _bBlack-themed cinema from the March on Washington to the rise of blaxploitation / _cChristopher Sieving.
260			_aMiddletown, Conn. : _bWesleyan University Press, _cc2011.
300			_ax, 265 p. : _bill. ; _c24 cm.
490	1		_aWesleyan film
500			_aBased on author's dissertation (doctoral) -- University of Wisconsin at Madison.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- The march on Hollywood: Gone are the days and the integration picture -- Ghetto travelogue: The cool world, Harlem, and the new American cinema -- The concessions of Nat Turner: the instant demise of the Black prestige picture -- The battle of Cleveland: Uptight and the urban Black revolution film -- Black Hollywood meets new Hollywood: The landlord and the racial impasse film of 1970 -- Conclusion: 1960s African American cinema and the birth of blaxploitation.
650		0	_aAfrican Americans in motion pictures.
650		0	_aAfrican Americans in the motion picture industry.
650		0	_aMotion pictures _zUnited States _xHistory _y20th century.
830		0	_aWesleyan film.
948			_au333471
949			_aPN1995.9 .N4 S54 2011 _wLC _c1 _hEY8Z _i33039001184232
596			_a1
903			_a20768
999			_c20768 _d20768