| 000 | 01757cam a2200337 a 4500 | ||
|---|---|---|---|
| 001 | 2009020219 | ||
| 003 | DLC | ||
| 005 | 20250203135537.0 | ||
| 008 | 090526s2010 lau b s001 0 eng | ||
| 010 | _a 2009020219 | ||
| 020 | _a9780807135501 (cloth : alk. paper) | ||
| 020 | _a080713550X (cloth : alk. paper) | ||
| 020 | _a9780807140031 (pbk.) | ||
| 035 | _a(OCoLC)ocn318872736 | ||
| 040 |
_aDLC _cDLC _dBTCTA _dC#P _dYDXCP _dBWX _dCDX _dDLC _dMiTN |
||
| 049 | _aEY8Z | ||
| 050 | 0 | 0 |
_aPS3515.E37 _bZ6885 2010 |
| 082 | 0 | 0 |
_a813/.52 _222 |
| 100 | 1 |
_aLamb, Robert Paul, _d1951- |
|
| 245 | 1 | 0 |
_aArt matters : _bHemingway, craft, and the creation of the modern short story / _cRobert Paul Lamb. |
| 260 |
_aBaton Rouge : _bLouisiana State University Press, _cc2010. |
||
| 300 |
_axviii, 273 p. ; _c24 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aHistorical genre, dispassionate presentation, and authorial judgment : the legacy of Maupassant and Chekhov -- Minimizing words and maximizing meaning : suggestiveness, concision, and omission -- Depicting consciousness in modern fiction : expressionism and impressionism from Crane to Cather and Hemingway -- Who sees and who speaks : Hemingway's art of focalization -- Repetition and juxtaposition : from Stein to Hemingway -- Openings, endings, and the disjunctive bump -- The normative center, the illustrative stamp, and the Joycean epiphany -- The new art of constructive dialogue : from James to Hemingway -- Plot, characterization, and setting. | |
| 600 | 1 | 0 |
_aHemingway, Ernest, _d1899-1961 _xTechnique. |
| 650 | 0 |
_aShort story. _93278 |
|
| 948 | _au330060 | ||
| 949 |
_aPS3515 .E37 Z6885 2010 _wLC _c1 _hEY8Z _i33039001166932 |
||
| 596 | _a1 | ||
| 903 | _a20039 | ||
| 999 |
_c20039 _d20039 |
||