000			01800cam a2200373 a 4500
001			2009284537
003			DLC
005			20190729103914.0
008			090630s2009 maua b 000 0 eng d
010			_a 2009284537
020			_a9781555953119
020			_a1555953115
035			_a(OCoLC)ocn294879032
040			_aBTCTA _cBTCTA _dYDXCP _dNGA _dBWX _dCAM _dOCLCQ _dCDX _dYJE _dDLC
042			_alccopycat
043			_an-us---
049			_ahEY8Z
050	0	0	_aND212.5.A25 _bS18 2009
082	0	4	_a759'.0652 _222
100	1		_aSandler, Irving, _d1925-
245	1	0	_aAbstract expressionism and the American experience : _ba reevaluation / _cby Irving Sandler.
260			_aLenox [ Mass.] : _bHard Press Editions ; _aNew York : _bSchool of Visual Arts ; _aManchester, VT : _bIn association with Hudson Hills Press : _b[Distributed in the United States by National Book Network], _cc2009.
300			_a240 p. : _bcol. ill. ; _c26 cm.
490	0		_aMission critical series
500			_aSeries from jacket.
504			_aIncludes bibliographical references.
505	0		_aPreface -- Introduction -- Ch. 1. The avant-garde in the 1930s : mastering the School of Paris -- Ch. 2. World War II : mythmaking and biomorphism -- Ch. 3. Field painting : from the terrible sublime to the exalted sublime -- Ch. 4. Gesture painting : improvisation and authenticity -- Ch. 5. Abstract expressionism and the Cold War -- Ch. 6. Field painting and gesture painting and their critics -- Ch. 7. The recognition of abstract expressionism -- Appendix. Image copyright information.
650		0	_aAbstract expressionism _zUnited States.
650		0	_aPainting, American _y20th century.
948			_au245400
949			_aND212.5.A25 S18 2009 _wLC _c1 _hEY8Z _i33039001082279
596			_a1
903			_a16517
999			_c16517 _d16517