000 | 01862cam a2200409 a 4500 | ||
---|---|---|---|
001 | 2008043711 | ||
003 | DLC | ||
005 | 20190729103742.0 | ||
008 | 081020s2009 nju b s001 0 eng | ||
010 | _a 2008043711 | ||
020 | _a9780813545462 (hardcover : alk. paper) | ||
020 | _a0813545463 (hardcover : alk. paper) | ||
020 | _a9780813545479 (pbk. : alk. paper) | ||
020 | _a0813545471 (pbk. : alk. paper) | ||
035 | _a(OCoLC)ocn263065362 | ||
040 |
_aDLC _cDLC _dYDX _dBTCTA _dYDXCP _dCDX _dBWX _dDLC |
||
043 | _an-us--- | ||
049 | _aEY8Z | ||
050 | 0 | 0 |
_aPN1993.5.U6 _bT79 2009 |
082 | 0 | 0 |
_a791.430973 _222 |
100 | 1 |
_aTryon, Chuck, _d1970- |
|
245 | 1 | 0 |
_aReinventing cinema : _bmovies in the age of media convergence / _cChuck Tryon. |
260 |
_aNew Brunswick, N.J. : _bRutgers University Press, _cc2009. |
||
300 |
_aviii, 215 p. ; _c23 cm. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion. | |
650 | 0 |
_aMotion pictures _zUnited States _xHistory _y20th century. |
|
650 | 0 |
_aMotion pictures _zUnited States _xHistory _y21st century. |
|
650 | 0 |
_aDigital media _xInfluence. |
|
650 | 0 |
_aMotion picture industry _xTechnological innovations. |
|
650 | 0 | _aDigital cinematography. | |
650 | 0 | _aConvergence (Telecommunication) | |
948 | _au196268 | ||
949 |
_hEY8Z _i33039001078194 |
||
596 | _a1 | ||
903 | _a15363 | ||
999 |
_c15363 _d15363 |