000 | 01333cam a22003371 4500 | ||
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001 | 0149010534 | ||
003 | MiTN | ||
005 | 20190729101342.0 | ||
008 | 911105s1949 nyu 00000 eng d | ||
010 | _a 49010534 rev* | ||
035 | _a(CaOTULAS)205343317 | ||
040 |
_aDLC _cMiTN |
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043 | _an-us--- | ||
049 | _aEY8A | ||
050 | 0 |
_aPS3505.A87 _bO48 1949 |
|
059 | _a001 HIST 49010534 | ||
082 | _a814.5 | ||
092 | _a810 C286o | ||
100 | 1 | 0 |
_aCather, Willa, _d1873-1947. |
245 | 1 | 0 |
_aOn writing : _bcritical studies on writing as an art / _cwith a foreword by Stephen Tennant. |
250 | _a[1st ed.]. | ||
260 | 0 |
_aNew York, _bA. A. Knopf, _c1949. |
|
300 |
_axxvi, 126 p. _c22 cm. |
||
505 | 0 | _a--Four letters: On Death comes for the Archbishop. On Shadows on the rock. Escapism. On The professor's house.--The novel dbemeublbe.--Four prefaces: The best stories of Sarah Orne Jewett. Gertrude Hall's The Wagnerian romances. Stephen Crane's Wounds in the rain and other impressions of war. Defoe's The fortunate mistress.--My first novels (there were two)--On the art of fiction.--Katherine Mansfield.--Light on adobe walls (an unpublished fragment) | |
650 | 0 |
_aLiterature _xHistory and criticism |
|
913 | _aR | ||
948 | _au10559 | ||
949 | _a33039000115674 | ||
596 | _a1 | ||
903 | _a141 | ||
999 |
_c141 _d141 |