000 | 01920cam a2200373 a 4500 | ||
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001 | 14144208 | ||
003 | MiTN | ||
005 | 20190729103241.0 | ||
008 | 051017s2006 ilua b 001 0 eng | ||
010 | _a 2005030355 | ||
020 | _a9780809327096 (cloth : alk. paper) | ||
020 | _a0809327090 (cloth : alk. paper) | ||
020 | _a9780809327102 (pbk. : alk. paper) | ||
020 | _a0809327104 (pbk. : alk. paper) | ||
040 |
_aDLC _cDLC _dDLC |
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042 | _apcc | ||
049 | _aEY8Z | ||
050 | 0 | 0 |
_aPN1995.9.R63 _bM55 2006 |
082 | 0 | 0 |
_a791.43/6552 _222 |
100 | 1 |
_aMills, Katie, _d1956- |
|
245 | 1 | 4 |
_aThe road story and the rebel : _bmoving through film, fiction, and television / _cKatie Mills. |
260 |
_aCarbondale : _bSouthern Illinois University Press, _cc2006. |
||
300 |
_axiii, 270 p. : _bill. ; _c24 cm. |
||
504 | _aIncludes bibliographical references (p. 251-262) and index. | ||
505 | 0 | _aIntroduction: what automobility offers cultural studies -- Rewriting prohibitions with narratives of possibility -- Before the road genre: the beats and on the road -- TV gets hip on Route 66 -- Kesey's quixotic acid road film -- Road film rising: Hell's Angels, merry pranksters, and easy -- Riders -- Genre and gender in 1970s new Hollywood -- Back to the family, or, rewinding the postmodern road story -- Rebels with a cause: genre and identity politics -- First-person players: the digital, "transmedia" road story. | |
650 | 0 |
_aRoad films _xHistory and criticism. |
|
856 | 4 | 1 |
_zTable of contents only _uhttp://www.loc.gov/catdir/toc/ecip062/2005030355.html |
856 | 4 | 2 |
_zPublisher description _uhttp://www.loc.gov/catdir/enhancements/fy0739/2005030355-d.html |
856 | 4 | 2 |
_zContributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0739/2005030355-b.html |
948 | _au183596 | ||
949 |
_aPN1995.9 .R63 M55 2006 _wLC _c1 _hEY8Z _i33039001003713 |
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596 | _a1 | ||
903 | _a11926 | ||
999 |
_c11926 _d11926 |