000 | 01461cam a22003374a 4500 | ||
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001 | 2005012767 | ||
003 | DLC | ||
005 | 20190729103105.0 | ||
008 | 050502s2006 ncu b 001 0 eng | ||
010 | _a 2005012767 | ||
020 | _a0786421843 (pbk. : alk. paper) | ||
035 | _a(OCoLC)ocm60311848 | ||
040 |
_aDLC _cDLC _dYDX _dBAKER _dDLC |
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042 | _apcc | ||
049 | _aEY8Z | ||
050 | 0 | 0 |
_aPN1995.9.D62 _bD63 2006 |
082 | 0 | 0 |
_a070.1/8 _222 |
245 | 0 | 0 |
_aDocufictions : _bessays on the intersection of documentary and fictional filmmaking / _cedited by Gary D. Rhodes and John Parris Springer. |
260 |
_aJefferson, N.C. : _bMcFarland & Co., _cc2006. |
||
300 |
_ax, 294 p. ; _c26 cm. |
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504 | _aIncludes bibliographical references and index. | ||
520 | _a"These 18 essays examine the relationships between narrative fiction films and documentary filmmaking. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms"--Provided by publisher. | ||
650 | 0 |
_aDocumentary-style films _xHistory and criticism. |
|
700 | 1 |
_aRhodes, Gary Don, _d1972- |
|
700 | 1 |
_aSpringer, John Parris, _d1955- |
|
856 | 4 | 1 |
_zTable of contents _uhttp://www.loc.gov/catdir/toc/ecip0512/2005012767.html |
948 | _au179100 | ||
949 |
_hEY8Z _i33039000764596 |
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596 | _a1 | ||
903 | _a10641 | ||
999 |
_c10641 _d10641 |