Michael Moore and the rhetoric of documentary / 
Edited by Thomas W. Benson and Brian J. Snee. 
 - vi, 232 pages :  illustrations ;  23 cm 
<br/><br/>Includes bibliographical references (pages 193-219) and index. 
<br/><br/>Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. 
<br/><br/><label>ISBN: </label>9780809334070 (pbk. : alk. paper) 0809334070 (pbk. : alk. paper) 
<br/><br/><label>LCCN: </label>2014034578 
<br/><br/><label>Subjects--Personal Names: </label><br/>Moore, Michael, 1954 April 23- --Criticism and interpretation.
<br/><br/><label>Subjects--Topical Terms: </label><br/>Documentary films--Political aspects--History and criticism.<br/>Motion pictures--Political aspects--United States.
<br/><br/><label>LC Class. No.: </label>PN1998.3.M665  / M525 2015 
<br/><br/><label>Dewey Class. No.: </label>791.4302/33092