Raheja, Michelle H. <br/><br/>
Reservation reelism :  redfacing, visual sovereignty, and representations of Native Americans in film / 
Michelle H. Raheja. 
 - Lincoln :  University of Nebraska Press,  c2010. 
 - xviii, 338 p. :  ill. ;  23 cm. 
<br/><br/>Includes bibliographical references (p. [291]-317) and index. 
<br/><br/>Toward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner). 
<br/><br/><label>ISBN: </label>9780803211261 (cloth : alk. paper) 0803211260 (cloth : alk. paper) 
<br/><br/><label>LCCN: </label>2010026528 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Indians in motion pictures.<br/>Indigenous peoples in motion pictures.<br/>Indians in the motion picture industry--United States.<br/>Stereotypes (Social psychology) in motion pictures.<br/>Motion pictures--History--United States--20th century.
<br/><br/><label>LC Class. No.: </label>PN1995.9.I48  / R34 2010 
<br/><br/><label>Dewey Class. No.: </label>302.23089